About Studio

“We owe to the fields that our houses will not be the inferiors of the virgin land they have replaced. We owe it to the worms and the trees that the buildings we cover them with will stand as promises of the highest and most intelligent kinds of happiness.”
Alain de Botton

We are interested in reading about topos, the specific landscape, and nature. We believe in buildings that relate to their environment and emerge from it, creating new structures and new ways of comprehending space. We try through the form and functionality of our buildings to envelop the people living in them with directness, poetics, and optimism.

The white volumes of the home are structural and continue to be plain and cubic.

They follow the voids and masses of the neighbor structures. — They follow the voids and masses of the neighboring structures.

It offers a rooftop with numerous views of the ocean.

The interior color scheme of the house is composed of the neutral shades of gray, white, and black. — The interior color scheme of the house is composed of neutral shades of gray, white, and black.

The dining room and kitchen are linked with the living area, and it is set up in such a way that people can still move around comfortably.

The stairs have lights at the corners and are the same color as the ground and ceiling.

The bedroom has simple design elements with a soothing white, gray, and black color combination.

The bathroom is a particular shade of gray and is made of cement. It is simple in design and has a little window.

They develop around the swimming pool and the "protected" courtyard inside the house, which serve as its miniature. — They develop around the swimming pool and the “protected” courtyard inside the house, which serve as its miniature.

This summer house of 170 m2 is situated in Naousa, on the island of Paros. The house’s white volumes are structural and remain simple and cubic. They follow the voids and masses of the neighboring buildings, proliferating from the views to the sea.

They evolve around the swimming pool and the interior “protected” courtyard, the microcosm of the house. Exterior space flows in a spiral way from the ground floor courtyard to the terrace on the top with a magnificent view of the sea and the town of Naousa.

The house works in a twofold manner with its main facade on the street becoming a cinema screen during the night where the wind creates a mute choreography of the shadows of the plants projected, a perception of space through motion.