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Location: Mumbai, Maharashtra, India

Design Development: 2016 October – 2017 March

Construction Period: 2017 March – 2018 March

Architects/ Designers: SquareWorks LLP Design

Team: Katsushi Goto, Khushboo Vyas

Collaborators: Apartment / www.apartment.gr.jp

Contractors: Nirmaan (Mainak Mushruwala, Husein Khakoo)

Gross Area of Project: 300 sq.m

Project management: Project Makers (Jitendra Jadav)

Photographer: Fabien Charuau

Press Distribution: v2com

Product List

Sanitary Fittings: TOTO Handmade Ceramic

Tiles: Yogesh Mahida White Goods

Appliances: Sub-Zero, Siemens

Geyser: Clage

Air Conditioner: Mitsubishi Electric

This is the entry hall with a bright walls and ceiling adorned with a large metal structure that holds potted plants.

This is a look at the great room that houses the living room area on the far side and the home office on the side of it. These are complemented by the large metal structure of the ceiling that also supports the modern lighting of the great room.

This is the hallway leading to the kitchen with a large walkways, entryways and potted plants at the ceiling structure.

This is a look at the large kitchen island that is topped with a large metal structure that has built-in pot racks and shelves hanging over the stainless steel countertop of the island.

This is another part of the kitchen with a long and narrow design adorned with a alrge metal structure on the side filled with bookshelves and cabinets.

This part of the kitchen is converted into a vertical herb garden with cabinets in the middle.

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This is another look at the long and narrow area of the large kitchen with a vertical herb garden.

This is the narrow hallway that runs behind the vertical herb garden of the kitchen. This is adorned with a window that has frosted glass.

This is the hallway leading to the bathroom on the far end. This is adorned with a row of metal structures at the ceiling that supports potted plants to contrast the beige walls and wooden doors.

This is a closer look at the bathroom that has a large marble bathtub adorned with a potted plant.

On the side of this bathtub is a large dark wooden structure bearing potted plants, shelves and cabinets.

This is a look at the base legs of the large wooden structure of the bathroom. This angle also shows the green tiles of the bathroom.

This bathroom has a green patterned sheet on its platform bed adorned with a tapestry above its head and a large wooden structure on the side.

This is the hallway behind the large wooden structure of the bedroom. This is adorned with multiple wall-mounted colorful masks.

This is a close look at the granite sink of the bathroom paired with a small wall-mounted mirror and pendant light.

A few steps from the sink is this shower area adorned with a potted plant on the corner.

This bedroom has a low platform bed with white sheets adorned with wall-mounted artworks and a row of windows with frames matching the wooden structure in the room.

This other bathroom has green tiles on its walls and floor adorned iwth a potted plant on the far corner at the shower area.

A few steps from the shower area is this corner sink adorned with a built-in sink and mirror that stands out against the green tiles of the walls.

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#7, Southlands is an integrative endeavor aiming to rejuvenate an old 1930 Art-Deco apartment in Mumbai, to accommodate the postulated requirements of a modern-day multiuser collective. The project intends to celebrate the inherent quintessence of a sangfroid ‘Bombay-ish’ precedent with distinct incorporation of consciously designed alterations. Its spatial system has been revitalized to cater functionality, which extends beyond the domesticity of an erstwhile household, assimilating further to reflect an untypical dynamic space that performs in more than several ways.

Brief

Like most older apartments, #7, Southlands too, was a typical Art-Deco setup involving multiple rooms structured to facilitate conventional domesticity of an Indian household. The brief posited dynamic multifunctional spaces which served different purposes from time to time, and yet involved preservation of its iconic attributes. This approach called for a conscious restoration proposal which not only would anew the lost charm of a 300 sq.m 3BHK colonial apartment but also addresses the multi-user specifics of a neoteric residential workspace, where

Living room functions as a multidisciplinary workplace with multiple users
Dining Hall converts into a gallery or exhibition space.
Emphasis on contrasting static vs dynamic elements – achieved by a studio- space which is rearrangeable and playful as opposed to beds and storage which portray permanence and stillness.
Clear segregation of service core from primary spaces.

Methodology

Despite the pronounced division of existing space, the apartment evinced an ambiguous experience, in terms of internal navigation and functionality. The design principles were thus derived on the basis of five spatial concepts:

Transparency – through the accentuation of axial geometry; by observing loci of punctures across solid planes
Natural Light & Ventilation – visual connection across the planes enabling a ‘whole to part’ recognition of spaces in the user’s cognition.
Centripetal organization – an inward-looking organization with utmost reverence for existing surfaces; to consciously deter any design intervention to the existing envelope.
Inherent materiality – austerity of materials to show the clear distinction between ‘existent’ and ‘insertion’.
Simplicity – optimal use of existing spatial elements to create a play between the living and otherwise.

Altogether, this methodological approach tendered a homogenous space, which allowed dynamic functionality in alignment with the variable domesticity of user/s involved. Often when an extant space demands design intervention, there’s a pre-existent spatiality that defines the extent of changes that can be brought about.

Nonetheless, the approach for restoring of #7, Southlands intended to identify and enunciate some of its characteristic spatial traits. With an iconic architectural style such as Art-Deco being articulated through a Bombay-based apartment, the concern was not only limited to what dwelt within the confines of this habitable space but also to reflect the essence of a larger entity – the city, in this case, Bombay.

In terms of methodology, SquareWorks, as a practice, deals with design and research correlatively, emphasizing the specifics of domesticity and its effects on spaces. This project has been envisaged as dissemination of discursive exchange between the two. Here, the aesthetics, render a simplistic finesse with due regard to its contextual synchrony.

Being a residential work-space and an artist’s studio involving multiple users, this apartment conveys an upbeat contemporary expression with aforethought nuances of distant past. All in all, as an assemblage of users and activities, it epitomizes an equilibrium between some paradoxical entities such as ‘personal – professional’, ‘single-multi’, ‘private-public’ and ‘old-new’.

About Squareworks

Squareworks, an Architecture, and Urban Design practice focuses on design and research on housing, public space/institution, and urbanism. Based in Mumbai, India and Tokyo, Japan, SquareWorks was founded by architect Katsushi Goto, who has an ongoing architectural practice in both these countries.

Squareworks aims at combining both design and research together, to open professional and academic discourse within the realms of Architecture and Urbanism; whilst keeping ‘drawing’ and ‘diagram’ as forms of knowledge as well as communicative tools. This approach not only supports design development but also questions the limits of professional practice within the current urban environment and city-planning process.

Alongside this practice, Squareworks hosts a collaborative platform ‘SqW: Lab’, whereby creative professionals collectively explore the potential of drawing, as a tool to develop and disseminate multiple approaches of looking at architectural and urban space. https://sqwlab.com/

About Katsushi Goto

Katsushi Goto is a practicing architect/urbanist based in Mumbai and Tokyo and Director of ‘Squareworks’, a design and research firm. He studied Housing and Urbanism at the Architectural Association (AA), London. He has been participating in the BIENNALE OF PUBLIC SPACE 2017 and 2019, Rome, presenting his research on “Public Library as an Urban Public Space” and at UIA Congress, 2017 in Seoul, presenting the research paper “Duality in Drawing – potential of discursive drawing responding to complex city”.

His current research focuses on the domesticity associated with the materiality of an ideal family home and the intersection of politics of public domain and interior urbanism. He is working as a Senior Assistant Professor at Meiji University, Tokyo, to program and coordinate international workshops with seven institutions across South-East Asia. He is also a visiting Associate Professor at CEPT University, Ahmedabad, India.