LRM House by Office Studio AG

Houses

The project is thought out by the resultant atmospheres created by the solids and voids and how they are dematerialized.

Architect: Office Studio AG
Social Media: @studioagarquitetura

Located in a green neighborhood in the city of São Paulo, this 435m² house occupies a narrow and long plot of 370m², with dense neighbors on the sides, which oriented the placing of the openings in the main areas to the front and back sides of the site.

The pedestrian access takes place on the left side of the site and invites the user to slowly discover the great span that brings light from the top to the entire ground floor.

Before accessing the living room, a blue tribal character graffiti artwork from the Brazilian artist Crânio welcomes the guests. It serves as a protector of the house, as the residents like to describe it. This belief shows the essence of the family that makes a home out of the planned space.

Planning a house is presumably anticipating a spatial distribution that enables good use to a specific lifestyle. The house becomes a home upon the way of living of its residents, that tie their personal values, habits and behaviours to the inhabited spaces, which in this case, is the love for art, that can be seen and felt all over the house.

The project is thought out by the resultant atmospheres created by the solids and voids and how they are dematerialized.

This concept reveals itself in the way the ground floor is designed, outlined by the dissolution of the following coplanar longitudinal axes: the solid volume coated in slatted wood, the gap materialised by the presence of the projection of the upper floor and the almost immaterial space created by the double-height ceiling wrapped in a glass façade with the zenith lighting.

This void is created upon the lateral detachment of the upper bulk that provides the users with the perception of implicit temporality. Different solar light beams throughout the day transform the house’s internal spaces, and light and shadow contrast with the desired monotony achieved by the choice of restrained and desaturated materials.

On the ground floor, the solid block hosts the kitchen, vertical circulation, half bath and technical area. This bulk extends itself down to the backyard, diluting the limits between interior and exterior. Large glass panels that can be fully retracted inwards are responsible for the closing of the horizontal plans, benefitting the air circulation and the amount of light that enters the space.

Furthermore, the panels create the connection with the exterior area, where the laundry and outdoor kitchen are located. Along with the kitchen, a metallic pergola extends the usable space into an outdoor living area full of light and ventilation.

The upper floor comprises three suites – two positioned to the front façade and the other to the back – and a cosy living room for the family that organises access to the suites. Above that, a third floor, constructed to host an office, a small gym and a sauna, placed close to the open-air elevated swimming pool, with a privileged view of the famous Ibirapuera park.

The house was designed as an active façade. The curtain wall of milky glass is composed of fixed panels that take turns with bi-folded windows that protect the bedrooms and filter the sunlight.

On the side façade, the rhythmic design of the glass panels with different grades of opacity enhances the quality of light and shadow within the space. Such manoeuvre provides thermal quality to the house, which also disposes of a cistern for water reuse and photovoltaic plates for higher energy efficiency.

This void is created upon the lateral detachment of the upper bulk that provides the users with the perception of implicit temporality.
This void is created upon the lateral detachment of the upper bulk that provides the users with the perception of implicit temporality.
The living room highlighting the blue tribal character graffiti artwork from the Brazilian artist Crânio welcomes the guests.
The living room highlighting the blue tribal character graffiti artwork from the Brazilian artist Crânio welcomes the guests.
Before accessing the living room, a blue tribal character graffiti artwork from the Brazilian artist Crânio welcomes the guests. It serves as a protector of the house, as the residents like to describe it.
Before accessing the living room, a blue tribal character graffiti artwork from the Brazilian artist Crânio welcomes the guests. It serves as a protector of the house, as the residents like to describe it.
A cosy living room for the family that organises access to the suites.
A cosy living room for the family that organises access to the suites.
A shrimp-type window hidden in the joinery makes the visual connection between the kitchen and the dining room. The luminaire was chosen for its translucent materiality and for its playful appearance when lit. When unlit, it appears to dissolve into the surroundings.
A shrimp-type window hidden in the joinery makes the visual connection between the kitchen and the dining room. The luminaire was chosen for its translucent materiality and for its playful appearance when lit. When unlit, it appears to dissolve into the surroundings.
The gap materialised by the presence of the projection of the upper floor and the almost immaterial space created by the double-height ceiling wrapped in a glass façade with the zenith lighting.
The gap materialised by the presence of the projection of the upper floor and the almost immaterial space created by the double-height ceiling wrapped in a glass façade with the zenith lighting.
The idea of ​​making the metal shelves with a glass base makes the shelf light, with a fluid appearance.
The idea of ​​making the metal shelves with a glass base makes the shelf light, with a fluid appearance.
On the ground floor, the solid block hosts the kitchen, vertical circulation, half bath and technical area.
On the ground floor, the solid block hosts the kitchen, vertical circulation, half bath and technical area.
The solid block extends itself down to the backyard, diluting the limits between interior and exterior.
The solid block extends itself down to the backyard, diluting the limits between interior and exterior.
Large glass panels that can be fully retracted inwards are responsible for the closing of the horizontal plans, benefitting the air circulation and the amount of light that enters the space.
Large glass panels that can be fully retracted inwards are responsible for the closing of the horizontal plans, benefitting the air circulation and the amount of light that enters the space.
A kitchen with dark blue cabinetry in contrast with the gray built-in appliances.
A kitchen with dark blue cabinetry in contrast with the gray built-in appliances.
A large wooden panel unifies the ground floor block, this panel enters the staircase, marking its horizontal condition that runs through the ground floor and is reinforced by the linear lighting of the stairs that throws light upwards and departs from the ground floor.
A large wooden panel unifies the ground floor block, this panel enters the staircase, marking its horizontal condition that runs through the ground floor and is reinforced by the linear lighting of the stairs that throws light upwards and departs from the ground floor.
The master bedroom that features walnut wood and fabric upholstery headboard, Marset Ledtube bedside lamp and Italian walnut paneling.
The master bedroom that features walnut wood and fabric upholstery headboard, Marset Ledtube bedside lamp and Italian walnut paneling.
A bathroom with half a slatted wall in stone, to bring more texture and demarcate the height of the niche and vat.
A bathroom with half a slatted wall in stone, to bring more texture and demarcate the height of the niche and vat.
A bathroom with highlighting the curved bench in stainless steel.
A bathroom with highlighting the curved bench in stainless steel.
The highlight of this bathroom is the generous overhead lighting that covers the entire area of ​​the shower and bathtub, making it possible to enjoy the sky.
The highlight of this bathroom is the generous overhead lighting that covers the entire area of ​​the shower and bathtub, making it possible to enjoy the sky.
A home office that features Furniture Russian carpentry, Dimlux pendant lightings, and Herman Miller chairs.
A home office that features Furniture Russian carpentry, Dimlux pendant lightings, and Herman Miller chairs.
The swimming pool on the roof top overlooking the neighbouring houses.
The swimming pool on the roof top overlooking the neighbouring houses.
The mixed structure with metallic beams made it possible to overcome the span of the living room with the overweight of the swimming pool on the roof.
The mixed structure with metallic beams made it possible to overcome the span of the living room with the overweight of the swimming pool on the roof.
An aerial view of the house located in a green neighborhood in the city of São Paulo, this 435m² house occupies a narrow and long plot of 370m², with dense neighbors on the sides, which oriented the placing of the openings in the main areas to the front and back sides of the site.
An aerial view of the house located in a green neighborhood in the city of São Paulo, this 435m² house occupies a narrow and long plot of 370m², with dense neighbors on the sides, which oriented the placing of the openings in the main areas to the front and back sides of the site.

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