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Specifications
- Sq. Ft.: 3,787
- Bedrooms: 5
- Bathrooms: 3.5
Floor Plan
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The main floor groups the great room, dining, and kitchen in an open layout with a 2-story ceiling overhead. A mudroom with lockers connects to the garage. The office, entry, and living room anchor the front, with stairs leading up near the pantry.
Floor Plan
Upper level hosts five bedrooms, including a master suite with a sitting room and private bath. Bedrooms 2 and 3 share a Jack and Jill bathroom. Bedrooms 4 and 5 anchor the lower-right wing with a shared bath nearby. A central open-to-below void keeps the layout connected. Hidden doors off the bonus room add a clever touch.
Budget Tip: Shared bathrooms like the Jack and Jill between Bedrooms 2 and 3 can reduce plumbing costs significantly during construction. If you’re building new, grouping wet walls back-to-back cuts both labor and materials. It’s a layout decision that pays off long before the first faucet gets turned on.
Floor Plan
The basement level shows a large family room, sitting area, wet bar, sixth bedroom with a full bath, linen closet, storage, and a mechanical room. The staircase connects to the main living floors.
Warm Oak Built-Ins Frame a Marble Fireplace in This Symmetrical Sitting Room
Paired sofas face a square oak coffee table flanked by two upholstered ottomans. Built-in shelving on both sides of the fireplace holds books, pottery, and plants. Botanical artwork anchors the marble surround.
Fun Fact: Built-in cabinetry flanking a fireplace dates back to 18th-century European interiors, where symmetry signaled wealth and order. Today, it’s just good design sense. Flanking built-ins also help a fireplace read as the room’s focal point even when it’s not lit.
Gold-Frame Chandelier Anchors an Oval Table Built for Lingering
Fabric chairs with exposed wood frames pull up to an oval table centered on a drum pedestal base. It’s a relaxed arrangement that still feels intentional. Behind it, white shaker cabinetry runs wall to wall with gray stone counters and glass-front uppers. That arched niche at the back adds quiet architectural interest.
Editor’s Note: Open-plan kitchens and dining areas like this one are increasingly common in European-inspired builds because they prioritize how a family actually moves through the home during meals. If you’re designing a similar layout, consider how the dining table placement affects traffic flow between the kitchen island and the surrounding rooms. A few extra inches of clearance around the chairs makes a noticeable difference during busy evenings.
Fluted Gold Pendants and a Corner of Windows Worth Building Around
Sculptural pendants with a fluted, petal-like form hang low enough to feel intentional rather than decorative. Wraparound black-frame windows flood the space with garden light. Bench seating tucked into the corner keeps the footprint tight, while a barrel chair up front adds a softer curve against the wood table’s straight grain.
Color Story: Warm neutrals hold their own in natural light without going flat because the textures do the work. Boucle, linen, and matte ceramic read as distinct materials even when they’re all pulled from the same tonal range. It’s a quieter approach than contrast, but it photographs well and lives even better.
Arched Zellige Niche and Brass Fixtures Set the Tone for This Kitchen
Zellige tile fills an arched nook above the range, framed by a plaster surround that keeps things grounded. Four light wood counter stools and a marble island pull the warmth forward.
History Corner: Arched niches in kitchen design trace back to medieval European hearth alcoves, where the arch helped direct heat and smoke. By the 19th century, the form had shed its function and stayed purely for visual weight. It’s one of those details that survived because it still works.
Brass Sconces and a Portrait Sketch Turn a Home Office Into Something Worth Sitting In
Wall sconces flanking art is one of those moves that looks effortless but usually takes a few tries to get right.
Here, it works because the brass fixtures sit at exactly the right height relative to the framed portrait sketch, keeping the wall balanced without feeling staged. Oak desk drawers have a paneled front that echoes the vertical wall cladding behind it. Two boucle ottomans in front of the desk are a smart call for a room where guests pull up a seat.
Layered Neutrals and a Botanical Wallpaper Wall That Earns Its Place
Tone-on-tone botanical wallpaper anchors the headboard wall without competing with the linen bedding or oak nightstands. Two round ottomans at the foot of the bed keep things grounded. Quiet restraint runs through every choice here.
Why That Wallpaper Wall Works Harder Than It Looks
Botanical prints in low-contrast colorways have been used in European bedrooms since the 18th century, when hand-blocked wallpapers brought nature indoors without overwhelming modest candlelit rooms. Placing the pattern only on the headboard wall rather than all four sides is a deliberate move: it gives the print visual weight without closing the room in. It’s a technique that reads as confident rather than cautious.
Penny Tile Meets Frameless Glass in a Bathroom Built for Two Routines
Penny mosaic tile wraps the upper walls in a diamond-patterned field that shifts between grey tones depending on the light. Below the chair rail, vertical white subway tile keeps things clean without going cold. The freestanding soaking tub sits tucked beside the walk-in shower, sharing the same footprint without crowding either fixture.
By The Numbers: Frameless glass shower enclosures like this one rely on tempered glass, which is significantly stronger than standard glass and required by building code in most U.S. states for wet areas. The black hardware finish used here on the door pull and shower system tends to show less water spotting than chrome, which makes it a practical choice in high-use bathrooms, not just an aesthetic one.
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Exterior photo shows a white brick European home with a two-car garage. Floor plan below details first-floor layout, including great room, kitchen, office, and mudroom.
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