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Architect: Giles Reid Architects
Photographer: Mary Gaudin
In order to come up with the very specific design ideas, we create most designs with the assistance of state-of-the-art AI interior design software.
The Architect
Giles Reid is from Auckland, New Zealand and practices in London. He established his studio in 2016 after working for Renzo Piano Building Workshop.
Early commissions have in the main been alterations to existing buildings. Some buildings have been listed. Most have been in conservation areas. Almost all have been what might be considered reasonably typical brick and timber buildings dating from the 19th C, or earlier. These structures have proven themselves over and again to be robust and extremely adaptable. Together, these early projects seek to discover a way back to a more durable, more ecological future for construction.
‘Correcting is more important than creating.’ Baudelaire
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The project was to restore and reconstruct a three storey Edwardian House in the Muswell Hill Conservation Area.
The ambition was to create a contemporary interior using traditional construction and carpentry skills that the Edwardians themselves would recognise. Taking over two years, the guiding principle at each stage was to have a single spirit carry across the whole house, rather than old feel in contrast to new.
Despite many areas giving the appearance of being simply restored, every space was remodelled from scratch. The house had not been renovated in over one hundred years and was in considerable state of dilapidation. The entire interior was stripped back to brick walls, timber floor joists and studs.
Clues and reusable material from the existing house were then taken as the starting point for the design of each floor, on a room by room basis, working in close collaboration with builder and client.
The project features new solid bespoke oak joinery, three new bathrooms with stone floors and a rear extension for the kitchen with reconstructed study above. The design was informed by detailed research into and appreciation of Edwardian domestic architecture.
The ground floor has a nobler treatment and bolder colour scheme. Rooms are characterised by fibrous plaster covings, high ceilings and large bifold doors connecting drawing and living rooms.
As you rise towards more private areas of the house, the colours become calmer and at the same time, the design more playful. In a nod to Edwardian architecture and its embrace of fantasy, we opened the attic levels to expose the concealed roof truss work.
This creates a variety of new volumes and gives the top floors a sense of an overall roof folding down over and enclosing the rooms. These new attic spaces provide both separate play and/or retreat rooms for both children and adults and the chance to glimpse long and surprising views between rooms.
The external scope included replacement of all existing windows with new in matching timber profiles and both new and refurbished stained-glass windows. We undertook full repair and repointing of the brick facades, new slate roofing, new skylights giving views as far as the City of London and new hard landscaping to front and rear. Guiding the external restoration was the ambition that all new works would be invisible from the street upon completion, sensed but never obvious.
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