Architect: Giles Reid Architects
Photographer: Mary Gaudin

The Architect

Giles Reid is from Auckland, New Zealand and practices in London. He established his studio in 2016 after working for Renzo Piano Building Workshop.

Early commissions have in the main been alterations to existing buildings. Some buildings have been listed. Most have been in conservation areas. Almost all have been what might be considered reasonably typical brick and timber buildings dating from the 19^th C, or earlier. These structures have proven themselves over and again to be robust and extremely adaptable. Together, these early projects seek to discover a way back to a more durable, more ecological future for construction.

‘Correcting is more important than creating.’ Baudelaire

The entrance hall is beside a wooden staircase with unfinished paint giving off a rustic feeling.

The living room has a large entry to the kitchen.

The living has a classic wood-burning fireplace and a wooden floor.

The kitchen has a galley-style layout and a kitchen island with a granite countertop.

The wooden staircase with a classic design leads to the upper floors of the house.

On the first floor, there is an orangery room and glass windows have been installed to allow light to pass through.

The top landing has a large skylight that lights up the stairs.

The front bedroom has an old fireplace that is still visible on the wall.

The simply designed front bedroom, where the wooden ceiling blends well with the white color, creates a cool atmosphere.

The rear bedroom has wooden floors and a ceiling, and a window that overlooks the landscape.

The rear bedroom features a wooden ladder that leads to the attic and a roof door.

The box room has a glass roof door that also serves as a skylight to light up the room.

The family bathroom features a classic wooden toilet seat and a bathtub.

The guest bathroom features a floating toilet and a small shower room.

The top floor vanity features a granite countertop and a hand-carved wooden cabinet.

The project was to restore and reconstruct a three storey Edwardian House in the Muswell Hill Conservation Area.

The ambition was to create a contemporary interior using traditional construction and carpentry skills that the Edwardians themselves would recognise. Taking over two years, the guiding principle at each stage was to have a single spirit carry across the whole house, rather than old feel in contrast to new.

Despite many areas giving the appearance of being simply restored, every space was remodelled from scratch. The house had not been renovated in over one hundred years and was in considerable state of dilapidation. The entire interior was stripped back to brick walls, timber floor joists and studs.

Clues and reusable material from the existing house were then taken as the starting point for the design of each floor, on a room by room basis, working in close collaboration with builder and client.

The project features new solid bespoke oak joinery, three new bathrooms with stone floors and a rear extension for the kitchen with reconstructed study above. The design was informed by detailed research into and appreciation of Edwardian domestic architecture.

The ground floor has a nobler treatment and bolder colour scheme. Rooms are characterised by fibrous plaster covings, high ceilings and large bifold doors connecting drawing and living rooms.

As you rise towards more private areas of the house, the colours become calmer and at the same time, the design more playful. In a nod to Edwardian architecture and its embrace of fantasy, we opened the attic levels to expose the concealed roof truss work.

This creates a variety of new volumes and gives the top floors a sense of an overall roof folding down over and enclosing the rooms. These new attic spaces provide both separate play and/or retreat rooms for both children and adults and the chance to glimpse long and surprising views between rooms.

The external scope included replacement of all existing windows with new in matching timber profiles and both new and refurbished stained-glass windows. We undertook full repair and repointing of the brick facades, new slate roofing, new skylights giving views as far as the City of London and new hard landscaping to front and rear. Guiding the external restoration was the ambition that all new works would be invisible from the street upon completion, sensed but never obvious.